Guildhall School

Research output

Research output per year 1982 2014 2015 2016 2017 2018 2019 2020 2022 2023 2025

• 139 Composition
• 133 Article
• 127 Chapter in Book
• 37 Review article
• 143 More
  • 30 Authored Book
  • 28 Digital or Visual Media
  • 23 Performance
  • 21 Paper
  • 16 Edited Book
  • 7 Doctoral Thesis
  • 5 Poster
  • 3 Exhibition
  • 3 Other contribution
  • 3 Working paper
  • 2 Research Report for External Body
  • 1 Scholarly Edition
  • 1 Literature review

Research output per year

Research output per year

Search results

• 2012

  Cross Cultural Exchange

  Linton, D., 2012.

  Research output: Contribution to conference › Paper › peer-review

• Du Bist Da, Du Bist Fort

  Translated title of the contribution: Now I See You, Now I Don'tWills, S. (Composer), 1 Nov 2012

  Research output: Non-textual form › Composition

  • Music 100%
  • Libretto 100%
  • Triptych 100%
  • Child 100%

• Group music therapy for patients with persistent post-traumatic stress disorder: an exploratory randomized controlled trial with mixed methods evaluation

  Carr, C., diArdenne, P., Scott, C., Wang, D., Priebe, S. & Sloboda, A., 2012, In: Psychology and Psychotherapy: Theory, Research and Practice. 85, 2, p. 179-202 23 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Interviews 100%
  • Beck Depression Inventory 50%
  93 Citations (Scopus)

  18 Downloads (Pure)

• How intense is this silence? Developing a theoretical framework for the use of psychodynamic music therapy in the treatment of selective mutism in children with English as an additional language: A heuristic case study

  Jones, K., 2012, In: British Journal of Music Therapy. 26, 2, p. 15-28

  Research output: Contribution to journal › Article › peer-review

• Il canone dell’opera lirica tra repertorio, classici e cavalli di battaglia

  Newark, C. & Weber, W., 2012, In: Contemporanea. 15, 3, p. 509-515

  Research output: Contribution to journal › Article › peer-review

• Music inside, outside and alongside text: Joseph d'Ortigue's novel, La Sainte-Baume (1834)

  Newark, C., 2012, In: Revue Belge de Musicologie . 66, p. 89-107

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
  22 Downloads (Pure)

• Music therapy: A resource for creativity, health and well-being across the lifespan: In 'Musical Creativity: Insights from Music Education Research'

  Bunt, L., 2012, Ashgate Publishing Ltd.

  Research output: Book › Chapter in Book › peer-review

  File
  14 Downloads (Pure)

• Night of the seven stars?: Productions of Les Huguenots currently available on DVD

  Newark, C., 2012, In: Nineteenth-Century Music Review. 9, 2, p. 365–373

  Research output: Contribution to journal › Review article › peer-review

• The Persistence of Waste

  Bayly, S., 2012, In: Performance Research. 17, 4, p. 33-41 8 p.

  Research output: Contribution to journal › Article › peer-review

  • Waste 100%
  • Industry 50%
  • Ecology 50%
  • Arts 25%
  • Esthetics 25%
  1 Citation (Scopus)

• The reciprocal relationship between jazz musicians and audiences in live performances: A pilot qualitative study

  Sloboda, J., Hathaway, M., Saul, B. & Brand, G., 2012, In: Psychology of Music. 40, 2, p. 634-651

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Jazz Musician 100%
  • Behavior 50%
  • Interaction 16%
  • Relative 16%
  27 Citations (Scopus)

  16 Downloads (Pure)

• Viewing and Acting (and points in between): the trouble with spectating after Rancière

  Lavender, A., 2012, In: Contemporary Theatre Review. 22, 3, p. 307-326 19 p.

  Research output: Contribution to journal › Article › peer-review

  • trip 100%
  • Public Space 100%
  • Spectatorship 100%
  9 Citations (Scopus)

• Watch this (actual and virtual) space: surveillance, dis/location and transit in Shakespeare’s The Tempest

  Lavender, A., 2012, In: Studies in Theatre and Performance. 32, 2, p. 139-150 11 p.

  Research output: Contribution to journal › Article › peer-review

  • Clock 100%

• ‘Galli-Curci Comes to Town: The Prima Donna’s Presence in the Age of Mechanical Reproduction’. In The Arts of the Prima Donna in the Long Nineteenth Century

  Wilson, A., Cowgill , R. (Editor) & Poriss, H. (Editor), 2012, Oxford University Press.

  Research output: Book › Chapter in Book › peer-review

• ‘Voice and Vibration in the Modernist Imaginary’, in Vibratory Modernism

  Bayly, S., 2012, London: Routledge.

  Research output: Book › Chapter in Book › peer-review
• 2011

  A Pathognomy of Performance

  Bayly, S., 8 Feb 2011, Basingstoke: Palgrave Macmillan Ltd. 256 p.

  Research output: Book › Authored Book › peer-review

  • Philosophy 100%

• Handbook of Music and Emotion: Theory, Research, Applications

  Sloboda, J. (Editor) & Juslin, P. (Editor), 2011, Oxford University Press.

  Research output: Book › Edited Book › peer-review

• Nine Memos

  Archbold, P. (Composer), 2011

  Research output: Non-textual form › Composition

  • String 100%

• Opera in the novel from Balzac to Proust

  Newark, C., 2011, Cambridge University Press. 298 p. (Cambridge Studies in Opera)

  Research output: Book › Authored Book › peer-review

  • Opera 100%
  • Tradition 100%
  • Context 50%
  • Length 50%
  • fascination 50%
  24 Citations (Scopus)

• The critic sings (Music speaks: On the language of opera, dance, and song by Daniel Albright)

  Newark, C., 2011, In: Music and Letters. 92, 4, p. 679–682

  Research output: Contribution to journal › Review article › peer-review

• The Discovery of Heaven

  Anderson, J. (Composer), 2011

  Research output: Non-textual form › Composition

  • Demonstration 100%

• "The Game Audio Tutorial: A Practical Guide to Sound and Music for Interactive Games." Music, Sound, and the Moving Image 5.2 (2011): 197-202.

  Aristopoulos, M., 2011, In: Music, Sound and the Moving Image. 5, 2, p. 197-202 5.2 (2011.

  Research output: Contribution to journal › Review article › peer-review

• Traces of Being: a document of absence in words

  Bacon, T. J., 2011, In: Activate. 1, 1

  Research output: Contribution to journal › Article › peer-review

• Utilité publique and public utility (Composing the citizen: Music as public utility in Third Republic France by Jann Pasler)

  Newark, C., 2011, In: Journal of the Royal Musical Association. 136, 1, p. 195–199

  Research output: Contribution to journal › Review article › peer-review

• ‘Crisis & Spectatorship’, in A Life of Ethics and Performance

  Bayly, S., 2011, Cambridge: Cambridge Scholars Publishing.

  Research output: Book › Chapter in Book › peer-review

• “Gardez votre macaroni; ne lui préférez pas la choucroute”: Les tribulations de l’idée de style national à l’Opéra autour des expositions universelles

  Translated title of the contribution: "“Gardez votre macaroni; ne lui préférez pas la choucroute”: The vicissitudes of the idea of a national style at the Opéra in the context of the Universal ExhibitionsNewark, C., 2011, Presses de l’Université Paris-Sorbonne.

  Research output: Book › Chapter in Book › peer-review
• 2010

  Bell Mass

  Anderson, J. (Composer), 2010

  Research output: Non-textual form › Composition

• "Clash and Consensus in Shunt’s ‘Big Shows’ and the Lounge" In Devising in Process

  Mermikides, A., 2010, Palgrave Macmillan Ltd. 17 p.

  Research output: Book › Chapter in Book › peer-review

• Devising in Process

  Mermikides, A. (Editor) & Smart, J. (Editor), 15 Jul 2010, Palgrave Macmillan Ltd.

  Research output: Book › Authored Book › peer-review

  • Devised Theatre 100%
  • Similarities 100%

• "Forced Entertainment – The Travels (2002) - The Anti-theatrical Director." In Making Contemporary Theatre: International Theatre Processes

  Mermikides, A., Jul 2010, Manchester University Press.

  Research output: Book › Chapter in Book › peer-review

  • Entertainment 100%
  • Contemporary Theatre 100%
  • Travel 100%
  • Books 33%
  • Production 16%

• Knight Crew

  Philips, J. (Composer), 2010

  Research output: Non-textual form › Composition

  • Main Stage 100%
  • Stages 50%
  • Teenagers 12%

• Making Contemporary Theatre: international rehearsal processes

  Lavender, A. (Editor) & Harvie, J. (Editor), 2010, Manchester University Press.

  Research output: Book › Edited Book › peer-review

  • Aortic Valve Prosthesis 100%
  • Germany 50%

• Mapping Intermediality and Performance

  Lavender, A. (Editor), Bay-Cheng, S. (Editor), Kattenbelt, C. (Editor) & Nelson, R. (Editor), 2010, Amsterdam University Press.

  Research output: Book › Edited Book › peer-review

  • Theater Research 100%

• Music, Letters and National Identity: Reading the 1890s Italian Music Press

  Wilson, A., 2010, In: Nineteenth-Century Music Review. 7, 2, p. 99-116 17 p.

  Research output: Contribution to journal › Article › peer-review

• Performers’ experienced emotions in the construction of expressive musical performance: an exploratory investigation

  Sloboda, J. & Van Zilj, A., 2010, In: Psychology of Music. 39, 2, p. 196-219 23 p.

  Research output: Contribution to journal › Article › peer-review

  • Emotion 100%
  • Semistructured Interview 16%
  37 Citations (Scopus)

  1 Downloads (Pure)

• Timbre Process and accords fixes: Dutilleux and his Younger French Contemporaries

  Anderson, J., 2010, In: Contemporary Music Review. 29, 5, p. 447-461 14 p.

  Research output: Contribution to journal › Article › peer-review

  • Contemporary 100%
  • Timbre 100%
  • Composer 66%
  • Spectral 66%
  • Henri Dutilleux 66%

• Transferable resistance

  Anderson, J. (Composer), 2010

  Research output: Non-textual form › Composition

• ‘A digital paradigm for contemporary theatre and performance’, in Mapping Intermediality and Performance

  Lavender, A., Bay-Cheng, S. (Editor) & Kattenbelt, C. (Editor), 2010, Amsterdam University Press.

  Research output: Book › Chapter in Book › peer-review

• ‘The Builders Association: Super Vision (2005): digital dataflow and the synthesis of everything’, in Making Contemporary Theatre: international rehearsal processes

  Lavender, A. & Harvie, J. (Editor), 2010, Manchester University Press. 21 p.

  Research output: Book › Chapter in Book › peer-review

  • Contemporary Theatre 100%
  • Rehearsal 100%
  • Digital 100%
  • Case Study 50%
  • theatre company 50%

• •Opera: A Beginner’s Guide

  Wilson, A., 2010, 160 p.

  Research output: Book › Authored Book › peer-review
• 2009

  Fantasias

  Anderson, J. (Composer), 2009

  Research output: Non-textual form › Composition

  • Cause 100%

• Gabriel Fauré: The Songs and their Poets

  Johnson, G., 2009, London: Routledge, Taylor & Francis Group. 488 p.

  Research output: Book › Authored Book › peer-review

  • Parameters 100%
  • Charm 100%
  • Life Stories 100%

• Music in the family: music making and music therapy with young children and their families

  Wetherick, D., 2009, In: The Journal of Family Healthcare. 19, 2, p. 56-58

  Research output: Contribution to journal › Article › peer-review

  • Family 100%
  • Child 100%
  • Music Therapy 100%
  • Toddlers 100%
  • Children 100%
  7 Citations (Scopus)

• Night Shift Drifts

  Bayly, S. (Performer), 2009

  Research output: Non-textual form › Performance

  • Participatory Performance 100%
  • Event 100%
  • Night 100%
  • Conferences 100%
  • Zagreb 100%

• Prayer

  Anderson, J. (Composer), 2009

  Research output: Non-textual form › Composition

  • Viola 100%

• Surface

  Newland, P. (Composer), 2009

  Research output: Non-textual form › Composition

  • London Symphony Orchestra 100%
  • Soundscape 100%

• Theatre and Public: Badiou, Rancière, Virno

  Bayly, S., 2009, In: Radical Philosophy. 157, Sept-Oct

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
  7 Downloads (Pure)

• The Comedy of Change

  Anderson, J. (Composer), 2009

  Research output: Non-textual form › Composition

  • comedies 100%

• The representation of violence in Irish opera: Ian Wilson’s Hamelin

  Newark, C., 2009, Dublin: Carysfort Press.

  Research output: Book › Chapter in Book › peer-review

  Open Access

  File
  9 Downloads (Pure)

• The value and purpose of masterclasses: An exploratory study

  Robertson, L., Creech, A., Gaunt, H. & Hallam, S., 2009, In: British Journal of Music Education. 26, 3, p. 315-331 16 p.

  Research output: Contribution to journal › Article › peer-review

• “Vous qui faites l’endormie”: The Phantom and the buried voices of the Paris Opéra

  Newark, C., 2009, In: Nineteenth Century Music. 33, 1, p. 62-78

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Consciousness 100%
  24 Downloads (Pure)