Guildhall School

Research output

Research output per year 1982 2014 2015 2016 2017 2018 2019 2020 2022 2023 2025

• 139 Composition
• 133 Article
• 127 Chapter in Book
• 37 Review article
• 143 More
  • 30 Authored Book
  • 28 Digital or Visual Media
  • 23 Performance
  • 21 Paper
  • 16 Edited Book
  • 7 Doctoral Thesis
  • 5 Poster
  • 3 Exhibition
  • 3 Other contribution
  • 3 Working paper
  • 2 Research Report for External Body
  • 1 Scholarly Edition
  • 1 Literature review

Research output per year

Research output per year

Search results

• 2020

  ‘Persona ex machina: Kris Verdonck’s sincere object actors’, in Machine Made Silence: The Art of Kris Verdonck

  Lavender, A., Eckersall , P. (Editor) & van Baarle , K. (Editor), 2020, Aberystwyth. 7 p.

  Research output: Book › Chapter in Book › peer-review

  File

  • Visual Artist 100%
  4 Downloads (Pure)
• 2019

  "Classical music borrowing from other arts: new strategies for audience building through performance" In Music, Speech, and Mind

  Sloboda, J., Ford, B. & Correra, A. F. (Editor), 30 Dec 2019, Brazilian Association of Cognition and Musical Arts.

  Research output: Book › Chapter in Book › peer-review

  Open Access

  File
  18 Downloads (Pure)

• 'Music Criticism in 19th-Century Italy'. In The Cambridge History of Music Criticism

  Wilson, A. & Dingle , C. (Editor), 2019, Cambridge University Press.

  Research output: Book › Chapter in Book › peer-review

  • History of music 100%
  • Music Criticism 100%
  • Dilettante 20%
  • Italian music 20%
  • Venality 20%

• Reflections upon the ‘post’: towards a cultural history and a performance-oriented perspective’, in The Routledge Companion to Theatre and Politics

  Lavender, A., Eckersall, P. (Editor) & Grehan, H. (Editor), 2019, London: Routledge.

  Research output: Book › Chapter in Book › peer-review

  • Routledge Companion 100%
  • Sociocultural 100%
  • Cultural History 100%
  • Cultural Development 100%

• ‘Searching Shadows, Lighting Bones: Commemorative Performance as an Open-Ended Negotiation’. In Staging Loss: Performance as Commemoration

  Orley, E., Pinchbeck, M. (Editor) & Westerside, A. (Editor), 2019, London: Palgrave Macmillan Ltd.

  Research output: Book › Chapter in Book › peer-review

  Open Access

  File
  15 Downloads (Pure)

• ‘Twenty-First Century Intermediality’, in Intermedial Theatre: Principles and Practice

  Lavender, A. & Crossley , M. (Editor), 2019, London.

  Research output: Book › Chapter in Book › peer-review

  • Intermediality 100%

• “Silver fork” novels and the place of voice

  Newark, C., 2019, Chicago: University of Chicago Press.

  Research output: Book › Chapter in Book › peer-review
• 2018

  "Community Music and Music Therapy: Jointly and Severally." In The Oxford Handbook of Community Music

  Wood, S. & Ansdell, G., 2018, Oxford University Press.

  Research output: Book › Chapter in Book › peer-review

• Does the Psychoanalysis of Music Have a “Subject”?

  Wilson, S., 2018, London and New York: Routledge.

  Research output: Book › Chapter in Book › peer-review

• Introduction

  Wilson, S., 2018, London and New York: Routledge. 216 p.

  Research output: Book › Chapter in Book › peer-review

  • Contemporary 100%
  • Musicology 100%
  • Psycho-analytic Approach 100%
  • Musical Improvisation 100%
  • Freud 100%

• 'Jolivet and the style incantatoire: aspects of a hybrid tradition'. In André Jolivet: Music, Art and Literature

  Anderson, J., 2018, Routledge.

  Research output: Book › Chapter in Book › peer-review

  • Class Analysis 100%
  • Cosmos 100%
  • incantations 100%
  • Spiritual 100%
  • Early Music 100%

• ‘Carrying on Camping?: Spectacle and concealment in the performance of politics' in Beyond Failure: New essays on the cultural history of failure in theatre and performance

  Bayly, S., 2018, Palgrave Macmillan Ltd.

  Research output: Book › Chapter in Book › peer-review

  Open Access

  File
  25 Downloads (Pure)

• ‘Investigating Creative Practice-Based Methodologies for Research’, in the Handbook of Creativity Research

  Young, T., Martin, L. (Editor) & Wilson, N. (Editor), 2018, Palgrave Macmillan Ltd.

  Research output: Book › Chapter in Book › peer-review
• 2017

  Commémorer le lieu entre terre et papier : une méthode créative pour dialoguer avec les objets patrimoniaux

  Orley, E., 2017, 2017 ed. Paris: Editions l'Harmattan.

  Research output: Book › Chapter in Book › peer-review

• Drama as Novel/Novel as Drama: In Cervantes Shakespeare 1616-2016, edited by Jose Manuel Gonzalez

  Ife, B., 2017, Kassel: Reichenberger.

  Research output: Book › Chapter in Book › peer-review

• English Revue: World War I and after

  Linton, D., 2017, Oxford University Press.

  Research output: Book › Chapter in Book › peer-review

• Fools and Philosophers: Against Quantification

  Orley, E., 2017, 2017 ed. Arnhem: ArtEZ Press.

  Research output: Book › Chapter in Book › peer-review

• From Community Arts to the Socially Engaged Arts Commission. In 'Culture, Democracy and the Right to Make Art: the British Community Arts Movement 1968-1986'

  Hope, S., Jeffers, A. (Editor) & Moriarty, G. (Editor), 2017, Bloomsbury.

  Research output: Book › Chapter in Book › peer-review

  Open Access

• "Solo performers in the practice room." In Musicians in the Making: Pathways to Creative Performance

  Wise, K., Jones, M., Rink, J., Gaunt, H. (Editor) & Williamson, A. (Editor), 2017, Oxford University Press.

  Research output: Book › Chapter in Book › peer-review

  • Resources 100%

• "Trabalhando com adultos “năo cantores." In Se voce disser que eu desafino…, edited by Silvia Sobreira

  Wise, K. & Sobreira, S. (Editor), 2017, Rio de Janeiro: Unirio.

  Research output: Book › Chapter in Book › peer-review

• ‘Künsterlische Identität und nationale Identität: Puccinis schwierige Rezeption in Italien’ (‘Voice, Sincerity and National Identity: Puccini’s Vexed Italian Reception’). In Puccini Handbuch

  Wilson, A. & Erkens, R. (Editor), 2017, J.B. Metzler'sche Verlagsbuchhandlung und C.E. Poeschel Verlag GmbH Stuttgart-Weimar.

  Research output: Book › Chapter in Book › peer-review

• ‘Unworking Dramaturgy’ in The Practice of Dramaturgy: Working on Actions in Performance

  Bayly, S., 2017, Amsterdam: Valiz. 303 p.

  Research output: Book › Chapter in Book › peer-review
• 2016

  A Methodology of Locks

  Orley, E., 2016, 2016 ed. London: I.B. Tauris.

  Research output: Book › Chapter in Book › peer-review

• Beat Furrer und das Visuelle. Perspektiven komponieren oder Bild-Werden der Musik

  Kobel, M., 2016, München: Edition Text und Kritik in Richard Boorberg Verlag GmbH and Co. KG. 15 p. (Musik-Konzepte)

  Research output: Book › Chapter in Book › peer-review

• Doing What Comes Naturally? Women and Devising in the UK Today

  Mermikides, A. & Smart, J., 2016, New York: Palgrave Macmillan Ltd. 15 p.

  Research output: Book › Chapter in Book › peer-review

  • Women 100%
  • Relationships 25%
  • Materials 25%
  • 1970s 25%
  • Essays 25%

• First Response: Notation and the Work-Concept in Conceptions of Music and Sound Art

  Parry, A., 2016, Zero Books.

  Research output: Book › Chapter in Book › peer-review

• 'Introduction to Selections from Fausto Torrefranca’s Giacomo Puccini e l’opera internazionale'. In Giacomo Puccini and his World

  Wilson, A., Senici, E. (Editor) & Schwartz , A. (Editor), 2016, Princeton University Press.

  Research output: Book › Chapter in Book › peer-review

• Ŕ l’écoute des langages plastique et musical dans les "Variations pour une porte et un soupir" de Pierre Henry

  Dack, J., 2016, Paris: Delatour. 14 p.

  Research output: Book › Chapter in Book › peer-review

• ‘From “Authenticity” to Anachronism: Pre-Existing Music and “Epic Englishness” in Elizabeth and Master and Commander’. In Music in Epic Film: Spectacular Listening

  Wilson, A. & Meyer, S. C. (Editor), 2016, Routledge.

  Research output: Book › Chapter in Book › peer-review
• 2015

  Art and music therapy in cancer care: In 'Cancer and Cancer Care'

  Bunt, L. & Mitchell, F., 2015, Sage Publications.

  Research output: Book › Chapter in Book › peer-review

• Can music teaching be a powerful tool for social justice?

  Sloboda, J., 2015, Oxford University Press. 10 p.

  Research output: Book › Chapter in Book › peer-review

  • Practitioners 100%
  • Group 100%
  • Goal 100%
  • Social Justice 100%
  • Musical Culture 16%

• Cultural Measurement on Whose Terms? Critical Friends as an Experiment in Participant-led Evaluation. In 'Making Culture Count. The Politics of Cultural Measurement'

  Hope, S., MacDowall, L. (Editor), Badham, M. (Editor), Blomkamp, E. (Editor) & Dunphy, K. (Editor), 2015, Palgrave Macmillan.

  Research output: Book › Chapter in Book › peer-review

  • Parasitology 100%
  • Motives 50%
  • Greenwich 50%
  • Absurd 50%
  • Democracy 50%

• Defining and Explaining Singing Difficulties in Adults

  Wise, K., 10 Sept 2015, Oxford: Oxford University Press. 22 p.

  Research output: Book › Chapter in Book › peer-review

  • Vocal Music 100%
  • Adult 100%
  • Vocal 20%
  • Context 10%
  • Cognitive 10%

• François Bayle’s ‘valeur obscure’

  Dack, J., 2015, transcript Verlag. 10 p.

  Research output: Book › Chapter in Book › peer-review

• La musique électroacoustique mixte: Interactions entre le ‘réel’ et le ‘virtuelle’

  Dack, J., 2015, Paris: Delatour. 20 p.

  Research output: Book › Chapter in Book › peer-review

• Music as a resource for health and being. IN International Handbook of Occupational Interventions

  Bunt, L. & Daykin, N., 2015, Springer International Publishing AG.

  Research output: Book › Chapter in Book › peer-review

  • Health 100%
  • Wellbeing 66%
  • Health and Well-Being 50%
  • Facilitation 33%
  • Emotion 33%
  5 Citations (Scopus)

• The Composer and the Audience

  Sloboda, J., 2015, Boydell and Brewer Publishers. 312 p. (Aldeburgh Studies in Music; vol. 9)

  Research output: Book › Chapter in Book › peer-review

  • Producer 100%
  • Ideals 100%

• The integration of art and science in music therapy training: Some challenges in the UK. In "International Perspectives in Music Therapy Education and Training: Adapting to a Changing World"

  Bunt, L. & Goodman, K. (Editor), 2015, Charles C Thomas Publisher, Ltd.

  Research output: Book › Chapter in Book › peer-review

• Unleashed: Collaboration, Connectivity and Creativity: In Beyond Britten: The Composer and the Community

  Gregory, S. & Wiegold, P. (Editor), 2015, Boydell & Brewer Limited. (Aldeburgh Studies in Music)

  Research output: Book › Chapter in Book › peer-review

• Valentin Silvestrov and the Symphonic Monument in Ruins

  Wilson, S., 2015, Cambridge: Cambridge University Press. 20 p.

  Research output: Book › Chapter in Book › peer-review
• 2014

  Izpildītājmāksla mūzikas ierakstu tehnoloģiju kontekstā

  Translated title of the contribution: Music Recording and Live Performance - Various Aspects of PerceptionOstrovska, T., 2014

  Research output: Book › Chapter in Book › peer-review

  File

• Music Therapy and the Path into Speech. In 'Tackling selective mutism: A guide for professionals and parents'

  Jones, K., 2014, Jessica Kingsley Publishers.

  Research output: Book › Chapter in Book › peer-review

• Navigating Sound, Locative and Translocational Approaches to Interactive Audio

  Parry, A., 2014, New York: Oxford University Press. 14 p.

  Research output: Book › Chapter in Book › peer-review

• Staying behind: explorations in post-performance musician-audience dialogue

  Sloboda, J. & Melissa, D., 2014, 1st ed. Farnham: Ashgate Publishing Ltd. 16 p.

  Research output: Book › Chapter in Book › peer-review

  • Audience 100%
  • Musicians 100%
  • Performance 100%
  • Event 66%
  • Relationships 33%
  12 Citations (Scopus)

• "The Appliance of Science: Devising, Dramaturgy and the Alternative Science Play."

  Mermikides, A., 2014, London: Bloomsbury Methuen Drama. 20 p.

  Research output: Book › Chapter in Book › peer-review

  • Sensibility 100%

• Those Blue Remembered Sounds.

  Dack, J., 2014, Vienna: Verlag der Apfel.

  Research output: Book › Chapter in Book › peer-review

• ‘Degeneration/Regeneration –The Remaking of Nation in Wartime West End Revue

  Linton, D., 2014

  Research output: Book › Chapter in Book › peer-review

• ‘Gender’. In The Oxford Handbook of Opera

  Wilson, A. & Greenwald, H. (Editor), 2014

  Research output: Book › Chapter in Book › peer-review

• ‘In the Mix: Intermedial Theatre and Hybridity’, in Theatre and Intermediality

  Lavender, A., Amine, K. (Editor) & Roberson, G. F. (Editor), 2014, Denver, United States.

  Research output: Book › Chapter in Book › peer-review

  • Immersive Theatre 100%
• 2013

  Collective Creation and the Creative Industries

  Mermikides, A., 2013, New York: Palgrave Macmillan Ltd.

  Research output: Book › Chapter in Book › peer-review

  • Collective Creation 100%
  • London 100%
  • Alternatives 100%
  • Production 100%
  • Creative Industry 100%
  3 Citations (Scopus)