Guildhall School

Research output

Research output per year 1982 2014 2015 2016 2017 2018 2019 2020 2022 2023 2025

• 139 Composition
• 133 Article
• 127 Chapter in Book
• 37 Review article
• 143 More
  • 30 Authored Book
  • 28 Digital or Visual Media
  • 23 Performance
  • 21 Paper
  • 16 Edited Book
  • 7 Doctoral Thesis
  • 5 Poster
  • 3 Exhibition
  • 3 Other contribution
  • 3 Working paper
  • 2 Research Report for External Body
  • 1 Scholarly Edition
  • 1 Literature review

Research output per year

Research output per year

Search results

• 2013

  Not listening in Paris: Critical and fictional lapses of attention at the opera

  Newark, C., 15 Aug 2013, Woodbridge: Boydell and Brewer Publishers.

  Research output: Book › Chapter in Book › peer-review

  • Characters 100%
• 2012

  Music therapy: A resource for creativity, health and well-being across the lifespan: In 'Musical Creativity: Insights from Music Education Research'

  Bunt, L., 2012, Ashgate Publishing Ltd.

  Research output: Book › Chapter in Book › peer-review

  File
  14 Downloads (Pure)

• ‘Galli-Curci Comes to Town: The Prima Donna’s Presence in the Age of Mechanical Reproduction’. In The Arts of the Prima Donna in the Long Nineteenth Century

  Wilson, A., Cowgill , R. (Editor) & Poriss, H. (Editor), 2012, Oxford University Press.

  Research output: Book › Chapter in Book › peer-review

• ‘Voice and Vibration in the Modernist Imaginary’, in Vibratory Modernism

  Bayly, S., 2012, London: Routledge.

  Research output: Book › Chapter in Book › peer-review
• 2011

  ‘Crisis & Spectatorship’, in A Life of Ethics and Performance

  Bayly, S., 2011, Cambridge: Cambridge Scholars Publishing.

  Research output: Book › Chapter in Book › peer-review

• “Gardez votre macaroni; ne lui préférez pas la choucroute”: Les tribulations de l’idée de style national à l’Opéra autour des expositions universelles

  Translated title of the contribution: "“Gardez votre macaroni; ne lui préférez pas la choucroute”: The vicissitudes of the idea of a national style at the Opéra in the context of the Universal ExhibitionsNewark, C., 2011, Presses de l’Université Paris-Sorbonne.

  Research output: Book › Chapter in Book › peer-review
• 2010

  "Clash and Consensus in Shunt’s ‘Big Shows’ and the Lounge" In Devising in Process

  Mermikides, A., 2010, Palgrave Macmillan Ltd. 17 p.

  Research output: Book › Chapter in Book › peer-review

• "Forced Entertainment – The Travels (2002) - The Anti-theatrical Director." In Making Contemporary Theatre: International Theatre Processes

  Mermikides, A., Jul 2010, Manchester University Press.

  Research output: Book › Chapter in Book › peer-review

  • Entertainment 100%
  • Contemporary Theatre 100%
  • Travel 100%
  • Books 33%
  • Production 16%

• ‘A digital paradigm for contemporary theatre and performance’, in Mapping Intermediality and Performance

  Lavender, A., Bay-Cheng, S. (Editor) & Kattenbelt, C. (Editor), 2010, Amsterdam University Press.

  Research output: Book › Chapter in Book › peer-review

• ‘The Builders Association: Super Vision (2005): digital dataflow and the synthesis of everything’, in Making Contemporary Theatre: international rehearsal processes

  Lavender, A. & Harvie, J. (Editor), 2010, Manchester University Press. 21 p.

  Research output: Book › Chapter in Book › peer-review

  • Contemporary Theatre 100%
  • Rehearsal 100%
  • Digital 100%
  • Case Study 50%
  • theatre company 50%
• 2009

  The representation of violence in Irish opera: Ian Wilson’s Hamelin

  Newark, C., 2009, Dublin: Carysfort Press.

  Research output: Book › Chapter in Book › peer-review

  Open Access

  File
  9 Downloads (Pure)
• 2008

  A Frame Without a Canvas: New Perspectives on the Reception of Madama Butterfly’. In Madama Butterfly: l’orientalismo di fine secolo, l’approccio pucciniano, la ricezione

  Wilson, A., Groos, A. (Editor) & Bernardoni, V. (Editor), 2008, Casa Editrice Leo S. Olschki.

  Research output: Book › Chapter in Book › peer-review
• 2007

  Interpreting La Muette

  Newark, C., 2007, Sebastian Werr ed. Münster: LIT Verlag.

  Research output: Book › Chapter in Book › peer-review

• The Puccini Problem: Opera, Nationalism, and Modernity

  Wilson, A., 2007, Cambridge University Press. ( Cambridge Studies in Opera)

  Research output: Book › Chapter in Book › peer-review
  59 Citations (Scopus)
• 2006

  'Mise en scène, hypermediacy and the sensorium’, in Intermediality in Theatre and Performance

  Lavender, A., Kattenbelt, C. (Editor) & Chapple, F. (Editor), 2006, Editions Rodopi b.v.

  Research output: Book › Chapter in Book › peer-review

  • Case Study 100%
  • Contemporary Theatre 100%
  • Intermediality 100%

• ‘Theatre and Technology’, in A Companion to Modern British and Irish Drama

  Lavender, A. & Luckhurst, M. (Editor), 2006, Oxford: Blackwell. 11 p.

  Research output: Book › Chapter in Book › peer-review

  • Techne 100%
  • British Drama 100%
  • Irish Drama 100%
  • Telematic Performance 100%
• 2005

  "Back to the future: towards the revival of extemporization in classical music performance." In "The reflective conservatoire: Studies in music education"

  Dolan, D., 2005, Ashgate Publishing Ltd.

  Research output: Book › Chapter in Book › peer-review

• Reflecting on conservatoires. Prelude, The developing conservatoire Creativity and conservatoires : the agenda and the issues

  Gregory, S. & Odam, G. (Editor), 2005, Guildhall School of Music and Drama. 426 p.

  Research output: Book › Chapter in Book › peer-review

  • Teachers 100%
  • Research 100%
  • Preludes 100%
  • Development 100%

• ‘What State Am I In?, or, How to be a Spectator’, in Contemporary Theatresin Europe: Encounters, Locations, Practices

  Bayly, S., 2005, London: Routledge.

  Research output: Book › Chapter in Book › peer-review
• 2004

  Far luce su Lucia: Simulacri letterari e operistici

  Translated title of the contribution: Elucidating Lucy: Revenants, both literary and operaticNewark, C., 2004, Bergamo: Fondazione Donizetti.

  Research output: Book › Chapter in Book › peer-review

  Open Access

  File
  19 Downloads (Pure)

• Guillaume Tell

  Newark, C., 2004, Cambridge: Cambridge University Press.

  Research output: Book › Chapter in Book › peer-review

• “Ch’hai di nuovo, buffon?” or What's new with Rigoletto

  Newark, C., 2004, Cambridge: Cambridge University Press.

  Research output: Book › Chapter in Book › peer-review

  • Buffon 100%
  • Courtier 100%
  • Daughter 100%
  • Woman 50%
  • Palaces 50%
  3 Citations (Scopus)
• 2002

  'The Moment of Realised Actuality’, in Theatre in Crisis?: Performance Manifestos for a New Century

  Lavender, A., Delgado, M. (Editor) & Svich , C. (Editor), 2002, Manchester University Press.

  Research output: Book › Chapter in Book › peer-review

  • Capitalist Culture 100%
  • Actuality 100%
  • Liveness 100%
• 2001

  Ceremony, celebration, and spectacle in La Juive

  Newark, C., 2001, Oxford: Oxford University Press.

  Research output: Book › Chapter in Book › peer-review

  Open Access

  File
  5 Downloads (Pure)

• 'Now and Then: Psychotherapy and the Rehearsal Process' in Psychoanalysis and Performance

  Bayly, S. & Baraitser, L., 2001, London: Routledge. 256 p.

  Research output: Book › Chapter in Book › peer-review
• 1999

  ‘Turns and Transformations’, in Theatre in a Cool Climate

  Lavender, A., Gottlieb , V. (Editor) & Chambers , C. (Editor), 1999, 11 p.

  Research output: Book › Chapter in Book › peer-review

  • British theatre 100%
  • Experimental 100%
• 1993

  ‘Edge of Darkness’, in British Television Drama in the 1980s

  Lavender, A. & Brandt, G. W. (Editor), 1993, Cambridge: Cambridge University Press. 15 p.

  Research output: Book › Chapter in Book › peer-review