Research

Guildhall School

150 - 200 out of 222 results

2014

English Touring Opera – ‘Opera in Cinemas’ Report
Wise, K., 2014, CreativeWorks London Working Paper.
Research output: Working paper
Franz Schubert: The Complete Songs
Johnson, G., 2014, London: Yale University Press. 3000 p.
Research output: Book › Authored Book › peer-review
How I Learned to stop worrying and Love the Studio: A Professional and Paradigmatic Approach to Preparing Musicians for Recording
Blier-Carruthers, A., 2014.
Research output: Contribution to conference › Paper › peer-review

Open Access
Isolations
Hendrickse, J. (Composer), 2014
Research output: Non-textual form › Performance
Izpildītājmāksla mūzikas ierakstu tehnoloģiju kontekstā
Translated title of the contribution: Music Recording and Live Performance - Various Aspects of PerceptionOstrovska, T., 2014
Research output: Book › Chapter in Book › peer-review

File
Loving work: Drawing attention to pleasure and pain in the body of the cultural worker
Hope, S. & Richards, J., 2014, In: European Journal of Cultural Studies. 18, 2, p. 117-141 24 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File
10 Citations (Scopus)

1 Downloads (Pure)
Musica e poesia
Burnside, I., 2014
Research output: Non-textual form › Performance
Nurturing the Outstanding Actor: Lessons from Action Research in a Drama School
Rea, K., 2014, In: New Theatre Quarterly. 30, 3, p. 231-242 12 p.
Research output: Contribution to journal › Article › peer-review
3 Citations (Scopus)
Popular Musical Theatre In London and Berlin
Linton, D., 2014, Cambridge University Press.
Research output: Book › Edited Book › peer-review
S p e l l s
Clarke, I. (Composer), 2014
Research output: Non-textual form › Composition
Staying behind: explorations in post-performance musician-audience dialogue
Sloboda, J. & Melissa, D., 2014, 1st ed. Farnham: Ashgate Publishing Ltd. 16 p.
Research output: Book › Chapter in Book › peer-review
12 Citations (Scopus)
Why Does The Queen Die?
Burnside, I. (Composer), 2014
Research output: Non-textual form › Performance
‘Degeneration/Regeneration –The Remaking of Nation in Wartime West End Revue
Linton, D., 2014
Research output: Book › Chapter in Book › peer-review
2013
Approaches to performance: A comparison of music and acting students’ concepts of preparation, audience and performance
Ford, B., 2013, In: Music Performance Research. p. 152-169
Research output: Contribution to journal › Article › peer-review

Open Access
File
23 Downloads (Pure)
Castafiore, Faust and nested reception
Newark, C., 2013, In: Cambridge Opera Journal. 25, 2, p. 165-184
Research output: Contribution to journal › Article › peer-review
Identity Construction in London West End Revue Performance of the Early Twentieth Century
Linton, D., 2013.
Research output: Contribution to conference › Paper › peer-review
Not listening in Paris: Critical and fictional lapses of attention at the opera
Newark, C., 15 Aug 2013, Woodbridge: Boydell and Brewer Publishers.
Research output: Book › Chapter in Book › peer-review
Scenic disposition: Verdi’s changing attitudes to opera production
Newark, C., 2013, In: Opera. 64, 12, p. 1557–1562
Research output: Contribution to journal › Article
The Activated Singer: Components of an Emerging Singing Identity in Adults Learning to Sing
Wise, K. & Halpern, A., 15 Dec 2013, (Accepted/In press) In: Music Perception. 41, 4
Research output: Contribution to journal › Article › peer-review

Open Access
File
6 Downloads (Pure)
The End of the Project: Futurity in the culture of catastrophe
Bayly, S., 2013, In: Angelaki - Journal of the Theoretical Humanities. 18, 2, p. 161-177 16 p.
Research output: Contribution to journal › Article › peer-review
8 Citations (Scopus)
The improvisatory approach to classical music performance: An empirical investigation into its characteristics and impact
Sloboda, J. & Dolan, D., 2013, In: Music Performance Research. 6, p. 1-38
Research output: Contribution to journal › Article › peer-review

Open Access
File
9 Downloads (Pure)
The Tyranny of Fun
Baker, R., 2013
Research output: Non-textual form › Digital or Visual Media
‘New Insecurities, new form, new identity—national identity and raciologies in Eightpence a Mile’ (1913)
Linton, D., 2013, In: Studies in Musical Theatre. 7, 1
Research output: Contribution to journal › Article › peer-review
‘The Studio Experience: Control and Collaboration’ in Proceedings of the International Symposium on Performance Science
Blier-Carruthers, A., Aug 2013, p. 693-98.
Research output: Contribution to conference › Paper › peer-review

Open Access
File

668 Downloads (Pure)
2012

Cross Cultural Exchange
Linton, D., 2012.
Research output: Contribution to conference › Paper › peer-review
Il canone dell’opera lirica tra repertorio, classici e cavalli di battaglia
Newark, C. & Weber, W., 2012, In: Contemporanea. 15, 3, p. 509-515
Research output: Contribution to journal › Article › peer-review
Music inside, outside and alongside text: Joseph d'Ortigue's novel, La Sainte-Baume (1834)
Newark, C., 2012, In: Revue Belge de Musicologie . 66, p. 89-107
Research output: Contribution to journal › Article › peer-review

Open Access
File

22 Downloads (Pure)
Night of the seven stars?: Productions of Les Huguenots currently available on DVD
Newark, C., 2012, In: Nineteenth-Century Music Review. 9, 2, p. 365–373
Research output: Contribution to journal › Review article › peer-review
The Persistence of Waste
Bayly, S., 2012, In: Performance Research. 17, 4, p. 33-41 8 p.
Research output: Contribution to journal › Article › peer-review
1 Citation (Scopus)
The reciprocal relationship between jazz musicians and audiences in live performances: A pilot qualitative study
Sloboda, J., Hathaway, M., Saul, B. & Brand, G., 2012, In: Psychology of Music. 40, 2, p. 634-651
Research output: Contribution to journal › Article › peer-review

Open Access
File
27 Citations (Scopus)

16 Downloads (Pure)
‘Voice and Vibration in the Modernist Imaginary’, in Vibratory Modernism
Bayly, S., 2012, London: Routledge.
Research output: Book › Chapter in Book › peer-review
2011
A Pathognomy of Performance
Bayly, S., 8 Feb 2011, Basingstoke: Palgrave Macmillan Ltd. 256 p.
Research output: Book › Authored Book › peer-review
Handbook of Music and Emotion: Theory, Research, Applications
Sloboda, J. (Editor) & Juslin, P. (Editor), 2011, Oxford University Press.
Research output: Book › Edited Book › peer-review
Opera in the novel from Balzac to Proust
Newark, C., 2011, Cambridge University Press. 298 p. (Cambridge Studies in Opera)
Research output: Book › Authored Book › peer-review
24 Citations (Scopus)
The critic sings (Music speaks: On the language of opera, dance, and song by Daniel Albright)
Newark, C., 2011, In: Music and Letters. 92, 4, p. 679–682
Research output: Contribution to journal › Review article › peer-review
Traces of Being: a document of absence in words
Bacon, T. J., 2011, In: Activate. 1, 1
Research output: Contribution to journal › Article › peer-review
Utilité publique and public utility (Composing the citizen: Music as public utility in Third Republic France by Jann Pasler)
Newark, C., 2011, In: Journal of the Royal Musical Association. 136, 1, p. 195–199
Research output: Contribution to journal › Review article › peer-review
‘Crisis & Spectatorship’, in A Life of Ethics and Performance
Bayly, S., 2011, Cambridge: Cambridge Scholars Publishing.
Research output: Book › Chapter in Book › peer-review
“Gardez votre macaroni; ne lui préférez pas la choucroute”: Les tribulations de l’idée de style national à l’Opéra autour des expositions universelles
Translated title of the contribution: "“Gardez votre macaroni; ne lui préférez pas la choucroute”: The vicissitudes of the idea of a national style at the Opéra in the context of the Universal ExhibitionsNewark, C., 2011, Presses de l’Université Paris-Sorbonne.
Research output: Book › Chapter in Book › peer-review
2010
Performers’ experienced emotions in the construction of expressive musical performance: an exploratory investigation
Sloboda, J. & Van Zilj, A., 2010, In: Psychology of Music. 39, 2, p. 196-219 23 p.
Research output: Contribution to journal › Article › peer-review
37 Citations (Scopus)

1 Downloads (Pure)
2009
Gabriel Fauré: The Songs and their Poets
Johnson, G., 2009, London: Routledge, Taylor & Francis Group. 488 p.
Research output: Book › Authored Book › peer-review
Night Shift Drifts
Bayly, S. (Performer), 2009
Research output: Non-textual form › Performance
Theatre and Public: Badiou, Rancière, Virno
Bayly, S., 2009, In: Radical Philosophy. 157, Sept-Oct
Research output: Contribution to journal › Article › peer-review

Open Access
File

7 Downloads (Pure)
The representation of violence in Irish opera: Ian Wilson’s Hamelin
Newark, C., 2009, Dublin: Carysfort Press.
Research output: Book › Chapter in Book › peer-review

Open Access
File

9 Downloads (Pure)
“Vous qui faites l’endormie”: The Phantom and the buried voices of the Paris Opéra
Newark, C., 2009, In: Nineteenth Century Music. 33, 1, p. 62-78
Research output: Contribution to journal › Article › peer-review

Open Access
File
24 Downloads (Pure)
2008

Bold claims (recording of Rossini’s Elisabetta regina d’Inghilterra by Opera Rara)
Newark, C., 2008, In: Nineteenth-Century Music Review. 5, 1, p. 150–153
Research output: Contribution to journal › Review article › peer-review
Figuring the Face
Bayly, S., 2008, In: Performance Research. 13, 4, p. 25-37
Research output: Contribution to journal › Article › peer-review

3 Citations (Scopus)
On Waiting for Something to Happen
Bayly, S. & Baraitser, L., 2008, In: Subjectivity. 24, 1, p. 340-355
Research output: Contribution to journal › Article › peer-review
2007
Babel of Tower
Bayly, S. (Performer), 2007
Research output: Non-textual form › Performance
Free Dissociations
Bayly, S., 1 Dec 2007, In: Contemporary Theatre Review. 27, 4
Research output: Contribution to journal › Article › peer-review

Open Access