Research output per year
Research output per year
- 35 results
Search results
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2020
Canons of the Risorgimento then and now
Newark, C., 2020, New York: Oxford University Press.Research output: Book › Chapter in Book › peer-review
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General introduction: Idiosyncrasies of the opera canon
Newark, C. & Weber, W., 2020, New York: Oxford University Press.Research output: Book › Chapter in Book › peer-review
Open AccessFile8 Downloads (Pure) -
Opera in nineteenth-century Italian fiction: Reading “Senso”
Newark, C., 2020, Edinburgh: Edinburgh University Press.Research output: Book › Chapter in Book › peer-review
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The Oxford handbook of the operatic canon: Oxford handbooks
Newark, C. & Weber, W., 2020, New York: Oxford University Press.Research output: Book › Edited Book › peer-review
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2019
The least of opera’s many constituencies (The politics of opera by Mitchell Cohen)
Newark, C., 2019, In: Journal of Interdisciplinary History. 49, 3, p. 486–487Research output: Contribution to journal › Review article › peer-review
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Why exactly do we need more books on Verdi? (Giuseppe Verdi by Eduardo Rescigno and Giuseppe Verdi: Composer by Daniel Snowman)
Newark, C., 2019, In: Verdiperspektiven. 4, p. 242–244Research output: Contribution to journal › Review article › peer-review
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“Silver fork” novels and the place of voice
Newark, C., 2019, Chicago: University of Chicago Press.Research output: Book › Chapter in Book › peer-review
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2018
Musical sources and “thereness”: The location of inspiration in cinematic adaptations of Le Fantôme de l’Opéra
Newark, C., 2018, In: Opera Quarterly. 34, 2-3, p. 126-152Research output: Contribution to journal › Article › peer-review
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The Phantom on film: A note from the Guest Editor
Newark, C., 2018, In: The Opera Quarterly. 34, 2–3, p. 113–125Research output: Contribution to journal › Article › peer-review
Open AccessFile11 Downloads (Pure) -
2016
Misinformed borrowings (Borrowed forms: The music and ethics of transnational fiction by Kathryn Lachman)
Newark, C., 2016, In: Music and Letters. 97, 1, p. 188–190Research output: Contribution to journal › Review article › peer-review
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Texts from elsewhere: Verdi, "Pace, pace, mio Dio!" (Leonora), La forza del destino, Act IV (1862)
Newark, C., 2016, In: Cambridge Opera Journal. 28, 2, p. 199–202Research output: Contribution to journal › Article › peer-review
Open AccessFile8 Downloads (Pure) -
2013
Castafiore, Faust and nested reception
Newark, C., 2013, In: Cambridge Opera Journal. 25, 2, p. 165-184Research output: Contribution to journal › Article › peer-review
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Not listening in Paris: Critical and fictional lapses of attention at the opera
Newark, C., 15 Aug 2013, Woodbridge: Boydell and Brewer Publishers.Research output: Book › Chapter in Book › peer-review
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Scenic disposition: Verdi’s changing attitudes to opera production
Newark, C., 2013, In: Opera. 64, 12, p. 1557–1562Research output: Contribution to journal › Article
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2012
Il canone dell’opera lirica tra repertorio, classici e cavalli di battaglia
Newark, C. & Weber, W., 2012, In: Contemporanea. 15, 3, p. 509-515Research output: Contribution to journal › Article › peer-review
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Music inside, outside and alongside text: Joseph d'Ortigue's novel, La Sainte-Baume (1834)
Newark, C., 2012, In: Revue Belge de Musicologie . 66, p. 89-107Research output: Contribution to journal › Article › peer-review
Open AccessFile20 Downloads (Pure) -
Night of the seven stars?: Productions of Les Huguenots currently available on DVD
Newark, C., 2012, In: Nineteenth-Century Music Review. 9, 2, p. 365–373Research output: Contribution to journal › Review article › peer-review
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2011
Opera in the novel from Balzac to Proust
Newark, C., 2011, Cambridge University Press. 298 p. (Cambridge Studies in Opera)Research output: Book › Authored Book › peer-review
24 Citations (Scopus) -
The critic sings (Music speaks: On the language of opera, dance, and song by Daniel Albright)
Newark, C., 2011, In: Music and Letters. 92, 4, p. 679–682Research output: Contribution to journal › Review article › peer-review
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Utilité publique and public utility (Composing the citizen: Music as public utility in Third Republic France by Jann Pasler)
Newark, C., 2011, In: Journal of the Royal Musical Association. 136, 1, p. 195–199Research output: Contribution to journal › Review article › peer-review
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“Gardez votre macaroni; ne lui préférez pas la choucroute”: Les tribulations de l’idée de style national à l’Opéra autour des expositions universelles
Translated title of the contribution :"“Gardez votre macaroni; ne lui préférez pas la choucroute”: The vicissitudes of the idea of a national style at the Opéra in the context of the Universal Exhibitions Research output: Book › Chapter in Book › peer-review
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2009
The representation of violence in Irish opera: Ian Wilson’s Hamelin
Newark, C., 2009, Dublin: Carysfort Press.Research output: Book › Chapter in Book › peer-review
Open AccessFile9 Downloads (Pure) -
“Vous qui faites l’endormie”: The Phantom and the buried voices of the Paris Opéra
Newark, C., 2009, In: Nineteenth Century Music. 33, 1, p. 62-78Research output: Contribution to journal › Article › peer-review
Open AccessFile18 Downloads (Pure) -
2008
Bold claims (recording of Rossini’s Elisabetta regina d’Inghilterra by Opera Rara)
Newark, C., 2008, In: Nineteenth-Century Music Review. 5, 1, p. 150–153Research output: Contribution to journal › Review article › peer-review
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2007
Interpreting La Muette
Newark, C., 2007, Sebastian Werr ed. Münster: LIT Verlag.Research output: Book › Chapter in Book › peer-review
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“In Italy we don’t have the means for illusion”: Grand opéra in nineteenth-century Bologna
Newark, C., Nov 2007, In: Cambridge Opera Journal. 19, 3, p. 199-222Research output: Contribution to journal › Article › peer-review
9 Citations (Scopus) -
2004
Arriving late for the ballet (Cambridge companion to grand opera ed. David Charlton)
Newark, C., 2004, In: Cambridge Opera Journal. 16, 2, p. 239–245Research output: Contribution to journal › Review article › peer-review
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Far luce su Lucia: Simulacri letterari e operistici
Translated title of the contribution :Elucidating Lucy: Revenants, both literary and operatic Research output: Book › Chapter in Book › peer-review
Open AccessFile19 Downloads (Pure) -
Guillaume Tell
Newark, C., 2004, Cambridge: Cambridge University Press.Research output: Book › Chapter in Book › peer-review
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“Ch’hai di nuovo, buffon?” or What's new with Rigoletto
Newark, C., 2004, Cambridge: Cambridge University Press.Research output: Book › Chapter in Book › peer-review
3 Citations (Scopus) -
“Culto, famiglia, la patria”: The operatic debut of Marco Bellocchio
Newark, C., 2004, In: Opera. 55, 3, p. 274–278Research output: Contribution to journal › Article
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2002
Metaphors for Meyerbeer
Newark, C., 2002, In: Journal of the Royal Musical Association. 127, 1, p. 23-43Research output: Contribution to journal › Article › peer-review
16 Citations (Scopus) -
2001
Ceremony, celebration, and spectacle in La Juive
Newark, C., 2001, Oxford: Oxford University Press.Research output: Book › Chapter in Book › peer-review
Open AccessFile5 Downloads (Pure) -
2000
Essential Opera: Halévy’s La Juive
Newark, C., 2000, In: Opera. 51, 1, p. 22–27Research output: Contribution to journal › Article
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1997
Proust and music: The anxiety of competence
Newark, C. & Wassenaar, I., 1997, In: Cambridge Opera Journal. 9, 2, p. 163–183Research output: Contribution to journal › Article › peer-review
13 Citations (Scopus)