Research output per year
Research output per year
- 13 results
Search results
-
2018
Musical sources and “thereness”: The location of inspiration in cinematic adaptations of Le Fantôme de l’Opéra
Newark, C., 2018, In: Opera Quarterly. 34, 2-3, p. 126-152Research output: Contribution to journal › Article › peer-review
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The Phantom on film: A note from the Guest Editor
Newark, C., 2018, In: The Opera Quarterly. 34, 2–3, p. 113–125Research output: Contribution to journal › Article › peer-review
Open AccessFile11 Downloads (Pure) -
2016
Texts from elsewhere: Verdi, "Pace, pace, mio Dio!" (Leonora), La forza del destino, Act IV (1862)
Newark, C., 2016, In: Cambridge Opera Journal. 28, 2, p. 199–202Research output: Contribution to journal › Article › peer-review
Open AccessFile8 Downloads (Pure) -
2013
Castafiore, Faust and nested reception
Newark, C., 2013, In: Cambridge Opera Journal. 25, 2, p. 165-184Research output: Contribution to journal › Article › peer-review
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Scenic disposition: Verdi’s changing attitudes to opera production
Newark, C., 2013, In: Opera. 64, 12, p. 1557–1562Research output: Contribution to journal › Article
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2012
Il canone dell’opera lirica tra repertorio, classici e cavalli di battaglia
Newark, C. & Weber, W., 2012, In: Contemporanea. 15, 3, p. 509-515Research output: Contribution to journal › Article › peer-review
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Music inside, outside and alongside text: Joseph d'Ortigue's novel, La Sainte-Baume (1834)
Newark, C., 2012, In: Revue Belge de Musicologie . 66, p. 89-107Research output: Contribution to journal › Article › peer-review
Open AccessFile20 Downloads (Pure) -
2009
“Vous qui faites l’endormie”: The Phantom and the buried voices of the Paris Opéra
Newark, C., 2009, In: Nineteenth Century Music. 33, 1, p. 62-78Research output: Contribution to journal › Article › peer-review
Open AccessFile18 Downloads (Pure) -
2007
“In Italy we don’t have the means for illusion”: Grand opéra in nineteenth-century Bologna
Newark, C., Nov 2007, In: Cambridge Opera Journal. 19, 3, p. 199-222Research output: Contribution to journal › Article › peer-review
9 Citations (Scopus) -
2004
“Culto, famiglia, la patria”: The operatic debut of Marco Bellocchio
Newark, C., 2004, In: Opera. 55, 3, p. 274–278Research output: Contribution to journal › Article
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2002
Metaphors for Meyerbeer
Newark, C., 2002, In: Journal of the Royal Musical Association. 127, 1, p. 23-43Research output: Contribution to journal › Article › peer-review
16 Citations (Scopus) -
2000
Essential Opera: Halévy’s La Juive
Newark, C., 2000, In: Opera. 51, 1, p. 22–27Research output: Contribution to journal › Article
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1997
Proust and music: The anxiety of competence
Newark, C. & Wassenaar, I., 1997, In: Cambridge Opera Journal. 9, 2, p. 163–183Research output: Contribution to journal › Article › peer-review
13 Citations (Scopus)