Patrick John Jones

• Composition
• Media (re)orientation: notated composition for non-live contexts
• Spectralism
• Stochastic music
• Practice research
• Adaptation theory
• Artistic practice in GLAM

Patrick John Jones is a composer and researcher working on a practice-based Leverhulme Early Career Fellowship at Guildhall School of Music & Drama. His project - ‘Sounding the archive: composition as translation and adaptation’ - aims to build a bridge between artistic practice-based research and intermedial theory through the composition of original music that interacts with sources from archives, galleries, and museums. It will also explore the public engagement potential of elucidating such interactions in order to facilitate broader understanding of, and interaction with, contemporary classical music.

Patrick’s music has been described as ‘strange, eerie…expressive’ (Britten Sinfonia Blog), ‘assured…compelling’ (Bachtrack), ‘acerbic’ (The Guardian) and ‘remarkably fresh’ (The Philharmonia Blog). It has been performed by artists and ensembles such us the London Symphony Orchestra, Britten Sinfonia, Ensemble 10/10, the Philharmonia Orchestra, Quatuor Diotima, Mahan Esfahani, The Kreutzer Quartet, Octandre, Psappha, the Tritium Trio, the Berkeley Ensemble, and the Ulysses Ensemble. Patrick was a joint winner of the Calefax Composers Competition in 2020, received the RPS Composition Prize in 2015, and the Britten Sinfonia’s OPUS award in 2014.

His piece for mixed quartet The Fun Will Never End - an ‘intricate, nervy dance that slips constantly between the playful and sinister with deadpan wit’ (BBC Music Magazine) - was recorded by the London Symphony Orchestra and released on NMC in 2021 on the Six Degrees of Separation compilation. Some of his scores have been published by the University of York Music Press, including Prayer (1) for soprano, alto and male voice (2020) and Uhtceare for flute, percussion, violin and cello (2016). Uhtceare was also recorded and released as part of the Dark Inventions album ‘Firewheel’ in 2016.

Patrick was an artist-in-residence at the The John Rylands Research Institute from November 2019-February 2020. He undertook a PhD in Composition from 2013-2017 at the University of York, supervised by Dr Thomas Simaku and funded by the Arts and Humanities Research Council. Prior to this, he completed an MMus in composition at Kings College London (2012) and a BA (Hons) in Music at the University of York (2010). He has taken part in a number of courses and summer schools for emerging composers, including the advanced composition course at Dartington Summer School (2019), taught by Harrison Birtwistle, the Britten-Pears Composition Course (2017), taught by Colin Matthews, Michael Gandolfi, and Oliver Knussen, and the Philharmonia Academy (2015-16), mentored by Unsuk Chin.