Research output per year
Research output per year
Personal profile
Research interests
Music composition & politics. Rap, hip-hop, Dada, punk, activism, anti-art. Tristan Tzara, Laibach, Eric B. & Rakim, Tierra Whack. Critical theory; composition informed by theory; naive music. M.I.A., Deerhoof, Maher Shalal Hash Baz. Opera, spoken word, music with textual and/or theatrical components. René Pollesch. Free jazz, improvisers orchestras, conduction, cross-cultural collaboration, protest music, outsider music. The avant-garde (African, Asian, American, European) and ideology. Gamelan. Noise musics. Nietzsche, Adorno, Gilroy, Marx, Foucault. Alternative institutions, aesthetic strategies of resistance, wabi-sabi. Popular culture. Science fiction, utopias, heterotopias.
Education/Academic qualification
PhD, Portfolio of Compositions and Commentary, King's College London
1 Oct 2006 → 1 Oct 2010
Award Date: 1 Apr 2011
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External positions
Cornell University
1 Aug 2015 → 31 Jul 2016
Goldsmiths, University of London
1 Sept 2013 → 31 Jul 2015
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- 1 Similar Profiles
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Cage and Foucault: musical timekeeping and the security state
Potter, S., 2020, Manchester University Press. 19 p.Research output: Book › Chapter in Book
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COUNCIL SYSTEM: Game for 12 or more singers, Radio Host & Composer
Potter, S. (Composer), Jul 2019Research output: Non-textual form › Composition
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Shine, So Long, Take My Father's Fortune, Help, Take My Brother
Potter, S. (Composer), Dec 2018Research output: Non-textual form › Composition
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Portfolio of compositions and technical commentary
Potter, S., 1 Apr 2011, 455 p.Research output: Types of Thesis › Doctoral Thesis