Samuel Wilson

Dr Samuel Wilson is a lecturer and researcher. He specialises in critical and theoretical approaches to music and the performing arts, with a particular emphasis on critical theory and contemporary art music. He is the author of New Music and the Crises of Materiality: Sounding Bodies and Objects in Late Modernity (Routledge, 2021), edited Music—Psychoanalysis—Musicology (Routledge, 2018), and co-edited a special issue of the journal Contemporary Music Review (2020) on ‘Musical Materialisms’. His articles have appeared in journals such as CMR, the Journal of the Royal Musical Association, the International Journal of Performance Arts and Digital Media, and Music and Letters, and he has contributed chapters to edited collections focusing on topics such as music and modernism, and music and time.