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Screen adaptations of Le Fantôme de l’Opéra: Routes of cultural transfer
Newark, Cormac
(PI)
Davison, Annette
(CoI)
Biancorosso, Giorgio
(CoI)
Calabretto, Roberto
(CoI)
Snelson , John
(CoI)
de Lopes, Maria Immacolata Vassallo
(CoI)
Avila, Jacqueline
(CoI)
Chih-Ting, Timmy Chen
(CoI)
Gleghorn , Charlotte
(CoI)
Greco, Clarice
(CoI)
Research
University of Edinburgh
The University of Hong Kong
Università degli Studi di Udine
Universidade de São Paulo
University of Tennessee, Knoxville
Hong Kong Baptist University
Universidade Paulista, São Paulo
Project
:
Research
Overview
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Research output
(2)
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Explore the research topics touched on by this project. These labels are generated based on the underlying awards/grants. Together they form a unique fingerprint.
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Arts and Humanities
Cultural transfer
100%
Opera
100%
Screen Adaptation
100%
re-interpretation
33%
Hong Kong
33%
Political Context
16%
Nineteenth Century
16%
Telenovelas
16%
Paris
16%
British Academy
16%
Mexico City
16%
Cultural Centres
16%
Passion
16%
Collaboration
16%
Scheme
16%
Salzburg
16%
footage
16%
Interdisciplinary Research
16%
Sociocultural
16%
London
16%
Opera Film
16%
Close relationships
16%
Accompaniment
16%
Albert Museum
16%
Power politics
16%
Brazil
16%
Documentary Film
16%
Beijing
16%
impetus
16%
music drama
16%
Tokyo
16%
Barbican
16%
Hollywood
16%
Horror Film
16%
China
16%