Abstract
In a 1998 essay on devising theatre in the UK, Alison Oddey refers to “the seemingly natural relationship between women and devised theatre in the 1970s,” which, she suggests, arose “out of a climate which encouraged women to find a voice together through the collective, democratic process of devising.” In this chapter we revisit Oddey’s claim, analysing how the politics of gender intersect with the material practices of performance-making in the UK today and asking whether the notion that devising is a “natural” way for women to work creatively together, retains any credence.
| Original language | English |
|---|---|
| Place of Publication | New York |
| Publisher | Palgrave Macmillan Ltd. |
| Number of pages | 15 |
| ISBN (Print) | 9781137603272 |
| Publication status | Published - 2016 |
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