Abstract
I write about how instabilities in interpretation can arise as a result of ambiguities or incompleteness in the point of contact between composer and performer…the score. Using my piece for solo electric guitar, Bobby J, as a case study, I detail how these ambiguities can give results that were not intended by the composer, but that these results can often be quite welcome.
| Original language | English |
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| Journal | Research Catalogue. International database for artistic research |
| Publication status | Published - 2024 |